Fay Bainter's career began as a child performer in 1898. For some time, she was a member of the traveling cast of the Morosco Stock Company in Los Angeles. In 1912, she made her Broadway debut in 'The Rose of Panama', but this and her subsequent play 'The Bridal Path' (1913), were conspicuous failures. She continued in stock and, after forming an association with David Belasco , took another swing at Broadway . She had her first hit with a dynamic performance, which established her as major theatrical star, as Ming Toy in 'East is West', at the Astor Theatre (1918-1920). Alternating between comedy and melodrama, Fay then shone in 'The Enemy' (1925-26) with Walter Abel and gave an outstanding performance of mid-life crisis as the desperate Fran Dodsworth ('Dodsworth',1934-35), opposite Walter Huston as her husband Sam. Fay never had the chance to recreate her stage role on screen - Ruth Chatterton got the part instead. At the same time, now aged 41, she was offered a role in her first motion picture, This Side of Heaven (1934). Co-starring opposite Lionel Barrymore , this was the first of many thoughtful, understanding wives, aunts and mothers she was to play over the next twenty years. Of stocky built, with expressive eyes and a warm, slightly smoky voice, Fay rarely essayed unsympathetic or hard-boiled characters, with the exception of her Oscar-nominated dowager in The Children's Hour (1961). While not often top-billed, her name remained consistently high in the list of credits throughout her career. Critics applauded her sterling performances in productions like Make Way for Tomorrow (1937) and Quality Street (1937), as Katherine Hepburn's excitable spinster sister. Fay won the Academy Award as Best Supporting Actress for the movie Jezebel (1938). As Bette Davis' stern, reproving Aunt Belle, she excelled in a somewhat meatier role than the genteel or fluttery ladies she had previously been engaged to portray. That same year, she was also nominated (as Best Actress) for her housekeeper, Hannah Parmalee, in White Banners (1938), but lost to Bette Davis . Fay enhanced many more films with her presence during the 1940's, notably as Mrs. Elvira Wiggs, in Mrs. Wiggs of the Cabbage Patch (1942), Merle Oberon's eccentric aunt from the bayou in Dark Waters (1944) and Danny Kaye's mother in The Secret Life of Walter Mitty (1947). From the 1950's, she alternated stage with acting on television. Her last role of note was as Mary Tyrone in Eugene O'Neill's 'Long Day's Journey into Night', on tour with the National Company in 1958.
Mother of Richard Venable.Screen, stage, and television actress.A change in the Academy Awards nominating and voting rules was made because of confusion over her two nominations in 1938.Aunt of actress Dorothy Burgess .Buried in Arlington National Cemetery. Her husband was a military officer who is buried there.One of the ten thespians to have been nominated for both a supporting and lead acting Academy Award in the same year for two different movies. The other nine are Teresa Wright , Cate Blanchett , Barry Fitzgerald (he was nominated in both categories for the same role in the same movie), Jessica Lange , Sigourney Weaver , Al Pacino , Emma Thompson , Holly Hunter , Julianne Moore and Jamie Foxx . Bainter was the first to have ever been nominated for both awards in the same year.She was pushed into acting by her mother. As a girl, she was on stage by age 6, and made her Broadway debut at 18. Nothing came of it, so she went back to working in stock acting companies.Her husband (1890-1964) was a Lieutenant Commander in the U.S. Navy.
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Tess and Sam work on the same newspaper and don't like each other very much. At least the first time, because they eventually fall in love and get married. But, Tess is a very active woman and one of the most famous feminists in the country; she is even elected as "the woman of the year". Being busy all the time, she forgets how to really be a woman and Sam begins to feel negleted.
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At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands?